| 对现代派美术的重新审视 |
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| 引用本文： | 张道森.对现代派美术的重新审视[J].杭州师范学院学报(社会科学版),2004(6):109-111. |
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| 作者姓名： | 张道森 |
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| 作者单位： | 杭州师范学院,美术学院,浙江,杭州,360016 |
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| 摘 要： | 现代派美术产生与发展于西方特定的社会背景之中,它打着创新开拓的旗号面向新的社会,并形成与古典美术和大众精神的隔膜与对立。中国现代美术尚缺少全面移植的土壤,更不应只对西方现代派、后现代派美术片面吸收,而应批判借鉴中外古典美术精华,进而在大艺术观坐标上创构中华民族个性化的未来美术体系。由此应树立自己的形象,为人类文明做出应有的贡献。
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| 关 键 词： | 社会新思维 文化形象 现代派美术 古典美术 民族艺术 批判借鉴 |
| 文章编号： | 1293/Z(2004)06-0109-03 |
| 修稿时间： | 2004年4月10日 |
On the Modernist School of Art |
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| ZHANG Dao-sen.On the Modernist School of Art[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2004(6):109-111. |
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| Authors: | ZHANG Dao-sen |
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| Abstract: | The modernist school of art emerged and developed in the special Western environment. It faces a new society under the signboard of opening up and bringing forth new ideas, and is made use of by some people who have ulterior motives. The United States supports and carries out this kind of art because of the direct relation to its cultural supremacy. China's modern art must set up a fine form and contribute to the civilization of mankind. |
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| Keywords: | new thought cultural image modernist school of art classical art national art critical adoption |
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