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《运河谣》的审美特征探析
引用本文:张书玮.《运河谣》的审美特征探析[J].曲靖师范学院学报,2014(4):74-77.
作者姓名:张书玮
作者单位:四川师范大学音乐学院,四川成都610101
摘    要:《运河谣》自开演以来,赢得众多掌声和关注的重要原因是其审美特征同中国传统的“中和”审美思想高度契合、一脉相承.体现了中华民族文化和谐、和合、协调、秩序、协同、平衡等价值取向和核心理念.即创作者能将歌剧的诸多元素平衡把握、完美协调,具体表现为:戏剧性与音乐性的有机结合,乐队与声乐的完美配合,艺术性与大众性的紧密结合,西洋技法与民族元素的完美融合.

关 键 词:歌剧  审美特征  探析  《运河谣》

Atheistic Features of Beijing-Hangzhou Grand Canal Ballad
Zhang Shuwei.Atheistic Features of Beijing-Hangzhou Grand Canal Ballad[J].Journal of Qujing Normal College,2014(4):74-77.
Authors:Zhang Shuwei
Institution:Zhang Shuwei (School of Music,Sichuan Normal University, Chengdu Sichuan 610101, P. R. China)
Abstract:The Beijing -Hangzhou Grand Canal Ballad won much praise and attention because of the integration of its atheistic features into the Chinese traditional thought of "harmony". The ballad reveals the value orientation and core concept of harmony, concordance, order, eoordation and balance in traditional Chinese cultures. The composer balanced and harmonized various elements of the opera in the ballad, which was demonstrated by the organized integration of the drama and the music, the perfect cooperation between the band and the vocal music, the close combination between the art and the popularity and the integration of the western techniques into the national elements.
Keywords:opera  atheistic feature  exploration  Beijing- Hangzhou Grand Canal Ballad
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