从痛感的诗到美感的诗——以陈海勇诗集《飘扬的石头》为例

陈海勇是近年成长起来的宁波有代表性的青年诗人之一。陈海勇诗中的痛感引发、表现，是有一定深度、厚度和强度的。深度是指诗人对对象、对生命的体验的过程。他在关注生命，尤其是关注普通生活甚至卑微生活中的人生命运时，不仅个人完全融入了对象的生命，而且在呈现过程中也让读者体验到同样的感情，具有制成精确画面的本领和跳出这画面的冷静观照的理性，由痛感的诗到美感的诗，肯定是诗学理论上的大的命题，其涉及到的内容会无比丰富。

On Ningbo Poet Chen Haiyong''s Anthology Floating Stone

A young poet of Ningbo, Chen Haiyong displays intense tragedian griet in his poems. Intensity refers to the course in which the poet feels of life and his subjects. Chen is concerned with life, particularly, the fate of those common even humble figures. He is totally indulged in the life of his subjects, making his readers feel the same. Chen has delicate techniques and power to transfer his rational reflection with correct images. Definitely, it is a big proposition to create poems that expresses tragedian griet and aesthetic delight, Chen Haiyong＇s anthology Floating Stone is exactly the case.