后殖民语境下中国歌剧的诞生从“看”到“被看”的身份合成

20世纪初的中国随着殖民扩张和1919年"五四"新文化运动的兴起、西方新思潮的涌入,西洋歌剧开始大量进人中国,一种新型的音乐艺术进入中国人的视野,并且冲击着中国传统音乐文化,"歌剧"这个对于中国人来说并不熟悉的新型音乐艺术和新名词走入中国人的视野,本文以后殖民主义理论为依托对中国歌剧诞生的自我"身份"问题进行解读。

Post - colonial context of the birth of Chinese opera from the "look" to "be seen" in his capacity as the synthetic

Early 20th century with the colonial expansion and the Chinese in 1919 "May 4th" New Culture Movement and the rise of the influx of Western ideas,Western opera into the beginning of a large number of Chinese people,a new type of Chinese music into the person s field of vision,and the impact of China s traditional music culture,"the opera" The Chinese people are concerned about a new type of music are not familiar with the art and a new term into the Chinese people s perspective,this article relies on the th...