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望城民间剪纸的祭祀色彩和艺术风格
引用本文:陈览月. 望城民间剪纸的祭祀色彩和艺术风格[J]. 长沙大学学报, 2012, 26(6): 13-15
作者姓名:陈览月
作者单位:长沙长大成彩印有限公司广告设计部,湖南长沙,410011
摘    要:长沙望城民间剪纸体现着一个完整的中国史前本原哲学体系,其基本图案是体现史前哲学观念的文化符号。楚俗尚巫,表现在望城民间剪纸的题材上,有着浓厚的祭祀色彩。剪纸作品中用于祭祀和祈祝的神怪形象,五花八门,无奇不有,不但反映了剪纸艺人大胆而丰富的想象力,同时也反映出望城民间剪纸神秘、浪漫、多元的艺术风格。

关 键 词:望城民间剪纸  本原哲学体系  祭祀色彩  艺术风格

Sacrificial Implication and Artistic Style of Folk Paper - cutting in Wangcheng
CHEN Lanyue. Sacrificial Implication and Artistic Style of Folk Paper - cutting in Wangcheng[J]. Journal of Changsha University, 2012, 26(6): 13-15
Authors:CHEN Lanyue
Affiliation:CHEN Lanyue ( Advertisement Design Department of Changsha Changdacheng Color Printing Limited Company, Hunan Changsha 410011, China)
Abstract:Folk paper- cutting in Wangcheng, Changsha represents a complete Chinese pre -historic arche philosophy system; its original images are culture symbols embodying prehistorical philosophy concepts. Chu custom advocating witchcraft is revealed by folk paper - cutting themes in Wangcheng with a hefty dose of sacrificial implications. Gods and spirits images for sacrificial ceremonies and prayers are of a great variety and with nothing to be surprised at. It does not only reflect bold and lively imagination of paper -cutting crafters, but also reflects mystic, romantic and plural artistic styles of folk paper -cutting in Wangeheng.
Keywords:folk paper- cutting in Wangcheng  arche philosophy system  sacrificial implication  artistic style
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