《蚀》和《莎菲女士的日记》女性形象比较

茅盾在他的小说处女作《蚀》三部曲中刻画了一群个性鲜明的“新女性”形象，文学史上称她们为“时代女性”。丁玲的早期小说《莎菲女士的日记》为中国现代文学创造了一个“莎菲性格”，她后来的多篇小说人物都是“莎菲型”形象的拓展和延伸。比较分析茅盾的“时代女性”和丁玲的“莎菲型”女性形象，可知：在人生理想的追求上，“时代女性”是革命的理想主义者，而莎菲女士是启蒙的个人主义者；在生活的逆境面前，“时代女性”在绝望中求生，莎菲女士却在颓废中耗尽生命；在对待爱情的态度上，“时代女性”狂热地追逐爱情只为填补内心的空虚，而莎菲女士执着地将灵肉一致的爱情作为自己矢志不渝的追求。

Comparison of Female Images between Eclipse Trilogy and Miss Sha Fei's Diary

Mao Dun has depicted a group of distinctive new women＇s images in his first fiction - Eclipse trilogy, which is later called ＂ modern women＂. Ding Ling has created a ＂Sha Fei character＂ by her early story - Miss Sha Fei＇s Diary for modern Chinese literature, and many of her later novels are the expansion and extension of ＂Sha Fei character＂ image. Comparison and analysis of the images of Mao Dun＇s ＂modern women＂ and Ding Ling＇s ＂Sha Fei character＂ from three levels shows that： first, in the pursuit of ideal life, ＂modern women＂ are the revolutionary idealism, and Miss Sha Fei is an enlightened individualist; Second, when faced with the adversities of life, ＂modern women＂ survive in despair, and Miss Sha Fei wastes her life in the decadent; Last, in the attitudes of love, modern women＇s fanatical pursuit of love is just to fill an inner void; and Miss Sha Fei is dedicated to the love which unifies the body and soul as her everlasting pursuit.