| 魏晋乐府诗的娱乐化特点 |
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| 引用本文： | 李媛.魏晋乐府诗的娱乐化特点[J].漳州师院学报,2006,20(1):45-49. |
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| 作者姓名： | 李媛 |
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| 作者单位： | 安徽省古籍整理出版办公室,安徽合肥230039 |
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| 摘 要： | 从音乐开始之初，音乐就有两类娱乐功能：娱神和娱人。两汉时代乐府诗的主体是雅乐作品，这是娱神功能在后代的体现；魏晋乐府诗从表演体制上来分析，有明显的世俗享乐主义特点，这一时期乐府诗的功能指向是娱人。
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| 关 键 词： | 魏晋乐府诗 娱乐化 |
| 文章编号： | 1004-468X(2006)01-45-05 |
| 收稿时间： | 12 31 2005 12:00AM |
| 修稿时间： | 2005年12月31 |
Amusement Features of Yuefu Poetry in the Weijin Period |
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| LI Yuan.Amusement Features of Yuefu Poetry in the Weijin Period[J].Journal of ZhangZhou Teachers College(Philosophy & Social Sciences),2006,20(1):45-49. |
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| Authors: | LI Yuan |
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| Abstract: | From the origin of music, music has possessed two recreational functions: amusing gods and amusing human. The main body of Yuefu Poetry is the Sacred Music in the Han Dynasty, which incarnates the function of amusing gods. Performing system of Weijin Yuefu Poem was characterized by obvious epicurean. It indicates that its function has pointed to amusing human during this period. |
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| Keywords: | Weijin Yuefu Poem amusement |
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