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两个室内世界
引用本文:李星. 两个室内世界[J]. 杭州师范学院学报(自然科学版), 2002, 0(1)
作者姓名:李星
作者单位:杭州师范学院美术学院 浙江杭州310012
摘    要:贾克梅蒂和维米尔是两个擅长画室内的艺术家。谁能说 2 0世纪的贾克梅蒂所表达世界“距离”的概念 ,就一定比15世纪的维米尔世界的明澈和温暖的表面进步 ?就其对艺术真实性的把握 ,往往不尽人意地首先成为片面和极度个人化的产物。但是 ,他们的艺术 ,他们诸如描绘室内形象的作品 ,在今天看来很可能扩充了我们对自身所处的可视世界的认识。视角的丰富 ,多多少少地改变了我们看待外部世界的方式。

关 键 词:室内世界  真实性  距离  视点  感知能力

Two Indoor Worlds
LI Xing. Two Indoor Worlds[J]. Journal of Hangzhou Teachers College(Natural Science), 2002, 0(1)
Authors:LI Xing
Abstract:Apart Excepting Giacometti and Vermeer,two excellent indoor|painting artists, every painter may express a part of true world through art. Who can be certain of that artists in the 20+{th} century were wiser than those in the 15+{th} century, of that the conceptual world with !distance" expressed by Giacometti in the 20 th century was more advanced than the transparent and warm world in surface by Vermeer? The works of art become incomplete and highly personalized products. However, their art, such as the indoor images in their works, seem to us today that having probably broadened the knowledge of the visible world. More or less, the abundance of vision has changed our way to observe the outer world.
Keywords:indoor world  distance  the point of vision  sensibility  surface
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