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从《荒原》看T.S.艾略特的“非个人化”创作观
引用本文:梁冬华.从《荒原》看T.S.艾略特的“非个人化”创作观[J].曲靖师范学院学报,2009,28(4):45-50.
作者姓名:梁冬华
作者单位:厦门大学中文系,福建厦门,361005;玉林师范学院中文系,广西玉林,537000
摘    要:在文学创作领域,艾咯特强调传统的存在,主张归附传统的"非个人化"创作.他认为作家的创造力来自文学体系自身源远流长的传统,创作活动实则就是创作主体有意识地逃避自我个性回归传统的"非个人化"创作过程.同时,艾略特还以自己的诗歌创作实践其理论层面的创作"传统"观.他的诗歌不仅引经据典显示出其回归传统的努力,而且还大胆创新传统诗歌技法,成功地把发源于法国的象征主义引进英语世界国家并结合英语语言的特点实践.

关 键 词:文学理论  艾略特  传统  非个人化  《荒原》

T. S. Eliot' s Impersonal Literary Creation: A Case Study on Wasteland
Liang Donghua.T. S. Eliot' s Impersonal Literary Creation: A Case Study on Wasteland[J].Journal of Qujing Normal College,2009,28(4):45-50.
Authors:Liang Donghua
Institution:1.Chinese Department;Xiamen University;Xiamen Fujian 361005;2.Chinese Department;Yulin Teachers' College;Yulin Guangxi 537000;China
Abstract:In the sphere of literary creation,Eliot emphasized the existence of tradition and advocated the impersonal literary creation attaching to tradition.He thought that the writers' creativeness stemmed from the long tradition of literary system.The literary creation in fact was the impersonal process during which the subject consciously avoided his personality and returned to the tradition.At the same time,based on his "Tradition" at the theoretical level,Eliot practiced his own verse writing.His poems not onl...
Keywords:Eliot  tradition  impersonal  Wasteland  
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