| 《山雨》新论——从文学史、文化史、思想史的视角切入 |
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| 引用本文： | 刘增人.《山雨》新论——从文学史、文化史、思想史的视角切入[J].泰山学院学报,2008,30(5):5-11. |
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| 作者姓名： | 刘增人 |
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| 作者单位： | 青岛大学文学院,山东,青岛,266071 |
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| 摘 要： | 王统照的《山雨》，不但具有明确的创作意图，涂绘出多姿多彩的人物画廊，而且描摹了浓郁的北国民俗画卷，营造出凝重浑厚的美学风格，在国难当头的关键时刻，率先敲响民族危难的警钟，所以，在中国现代文学史、文化史乃至思想史上，都具有不可替代的重要意义。
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| 关 键 词： | 王统照 《山雨》 文学史 文化史 思想史 |
A New concept on Mountain Rain——From the perspective of literary,cultural and ideological history |
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| LIU Zeng-ren.A New concept on Mountain Rain——From the perspective of literary,cultural and ideological history[J].Journal of Taishan University,2008,30(5):5-11. |
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| Authors: | LIU Zeng-ren |
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| Institution: | LIU Zeng - ren ( Literature Department, Qingdao university, Qingdao 266071, China) |
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| Abstract: | The ＂mountain rain＂ of Wang Tongzhao, not only has a clear intention of the creation, drawing a colorful characters galleries, but also depicts the rich folk picture of northern China, creating a dignified aesthetic style. It warned firstly at the critical moment of national crisis. Therefore, in modern Chinese literary history, cultural history , and ideological history, it plays an irreplaceable part. |
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| Keywords: | Wang Tongzhao ＂ Mountain Rain＂ literary history cultural history ideological history |
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