| 子君的出走:又一爱情神话--鲁迅小说《伤逝》再解读 |
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| 引用本文： | 周小英. 子君的出走:又一爱情神话--鲁迅小说《伤逝》再解读[J]. 镇江高专学报, 2004, 17(4): 34-36 |
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| 作者姓名： | 周小英 |
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| 作者单位： | 镇江市高等专科学校,外语系,江苏,镇江,212003 |
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| 摘 要： | "接受屏幕"和"期待视野"是比较文学中接受美学的两个关键点.以此为理论依据,同时在易卜生的<玩偶之家>与鲁迅的<伤逝>各自的写作背景和寓意的基础上,对<玩偶之家>之于<伤逝>之重大影响以及<伤逝>之于<玩偶之家>之个人取向进行探讨,从而表明,文化接受事实上是一种文化过滤.
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| 关 键 词： | 接受美学 接受屏幕 期待视野 文化接受 文化过滤 |
| 文章编号： | 1008-8148(2004)04-0034-03 |
| 修稿时间： | 2004-05-09 |
Zijun''''s leaving the family :another love myth--On Shangshi written by Lu Xun |
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| ZHOU Xiao-ying. Zijun''''s leaving the family :another love myth--On Shangshi written by Lu Xun[J]. Journal of Zhenjiang College, 2004, 17(4): 34-36 |
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| Authors: | ZHOU Xiao-ying |
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| Abstract: | "Acceptance screen " and "anticipation field of vision " are two key aspects in acceptance aesthetics of comparative literature. With their help , the author tries to analyze the important influence of Ibsen's Home of Toy on LU Xun's Shangshi, as well as the personal acceptance and rejection of LU Xun's Shangshi from Ibsen's Home of Toy , on basis of their respective writing backgroud and implied meanings , so as to indicate that cultural reception, as a matter of fact , is a kind of cultural filtering. |
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| Keywords: | acceptance aesthetics acceptance screen anticipation field of vision cultural reception cultural filtering |
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