| 至"情"的化身--析《牡丹亭》中杜丽娘的艺术形象 |
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| 引用本文： | 洪艳.至"情"的化身--析《牡丹亭》中杜丽娘的艺术形象[J].景德镇高专学报,2005,20(1):38-40. |
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| 作者姓名： | 洪艳 |
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| 作者单位： | 南昌高等专科学校中文系,江西南昌,330009 |
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| 摘 要： | 摘要：汤正祖在其名剧《牡丹亭》中以道劲的笔墨塑造出一个生动独特而又丰满的“至情者”的形象——杜丽娘。在中国文化史上第一次在审芙领域里把“生可以死,死可以生”的至情激扬到超越传统意识的高度．表现了人类对爱情幸福的渴望与追求。
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| 关 键 词： | 杜丽娘 《牡丹亭》 至情 独特 中国文化史 艺术形象 追求 生动 超越传统 塑造 |
| 文章编号： | 1008-8458(2005)01-0038-03 |
The Embodiment Of Absolute Passion--Analyzing the Artistic Figure Of Du Li-niang in the Pavilion Of Peony |
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| Hong Yan.The Embodiment Of Absolute Passion--Analyzing the Artistic Figure Of Du Li-niang in the Pavilion Of Peony[J].Jingdezhen Comprehensive College Journal,2005,20(1):38-40. |
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| Authors: | Hong Yan |
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| Abstract: | In this well-known drama "The Pavilion Of Peony" Tang Xian-zu creates the image of Du Li-niang,a girl for vivid and unique character. For the first time in the history of Chinese culture the absolute love had been exalted to an unsurpassing level beyond traditional cognition. It showed man's yearning for happiness and love. |
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| Keywords: | The Pavilion Of Peony Tang Xian-zu Du Li-niang Absolute Passion feudal morality yearning for love |
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