| 浅析李渔《风筝误》中“风筝”的叙事功能 |
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| 引用本文： | 尤瑞芳. 浅析李渔《风筝误》中“风筝”的叙事功能[J]. 大庆师范学院学报, 2011, 31(1): 66-68 |
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| 作者姓名： | 尤瑞芳 |
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| 作者单位： | 安徽师范大学文学院; |
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| 摘 要： | 《风筝误》是明末清初剧作家和戏曲理论家李渔的代表作品,此剧以"风筝"命名,"风筝"意象贯串全剧始终,起到了重要作用。李渔在《闲情偶寄》中明确提出了"立主脑"的观点。他强调"弃旧图新",借用"风筝"为引子,给"借诗传情"这一陈旧的情节模式注入新意。在戏曲创作具体结构上,李渔对前代文学中"风筝",尤其是元曲中的"风筝"总结的基础之上进行巧妙创新。从总体原则和具体结构两个角度出发,"风筝"在李渔的戏剧创作中具有独特的叙事功能。
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| 关 键 词： | 《风筝误》 李渔 风筝 叙事功能 |
On the Narrative Functions of "Kite" in LI Yu's "Feng Zheng Wu" |
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| YOU Rui-fang. On the Narrative Functions of "Kite" in LI Yu's "Feng Zheng Wu"[J]. Journal of Daqing Normal University, 2011, 31(1): 66-68 |
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| Authors: | YOU Rui-fang |
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| Affiliation: | YOU Rui-fang(An Hui Normal University,Wuhu,Anhui 241000,China) |
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| Abstract: | Feng Zheng Wu is a representative work of Li Yu,a playwright and Chinese opera theorist in late Ming and early Qing dynasty.Kite is the image in this opera and plays a very important part in the whole play.In Written by Leisure,Li Yu stated the idea of main point clearly and emphasized on Abandoning the Old and Adopting the New.By using the kite,he made the old plot form anew.In the aspect of the specific structure of opera creation,Li Yu generalized the image of kite and renewed it from two angles:general ... |
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| Keywords: | Feng Zheng Wu LI Yu Kite narrative functions |
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