壮族青蛙图腾中蛙婆节的人类学思考

壮族的青蛙图腾中有着浓厚的女性崇拜意识，这固然不错，但一概而论，却未免以偏概全。其实，图腾作为一个历史、动态的人类学事实，其中的性别意识是发展变化的。随着人类从母系向父系的发展，青蛙图腾亦由女性神格向男性神格变化，并最终完全去神话化。就与壮族青蛙图腾有关的蛙婆节和人们对青蛙的称呼而言，反映的就是一个男性逐步取代女性而女性由神化逐步去神化的历史过程。

Anthropological Thoughts on the Frog Festival in the Frog Totem of Zhuang Nationality

Zhuang Nationality＇s frog totem reflects strong women worship. Of course, it is true. However, it tends to be a fallacy if it is taken for granted without all-round analysis. In fact, as a historic, dynamic anthropological fact, the gender consciousness of totem has developed and changed. With the society development from matrilineal to patrilineal, the godhood of frog varied from female to male and ended with nothing. As far as the Frog Festival related to Zhuang Nationality＇s frog totem and the titles of frog are concerned, they reflect a historical process of social consciousness about women, from divinity to nothing, and of the successive substitution of gender consciousness from female to male.