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当代中国电影“父亲权威”与“东方人伦”的颠覆与重建
引用本文:郭泽青. 当代中国电影“父亲权威”与“东方人伦”的颠覆与重建[J]. 漳州师院学报, 2006, 20(3): 79-83
作者姓名:郭泽青
作者单位:泉州师范学院人文学院,广播电视新闻学专业,福建泉州362000
摘    要:中国当代电影从“弑父’、“弃父”再到“认父”,“父子”冲突此起彼伏。2005年,众多中国电影导演不谋而合,以真诚的平民情感,在宏大的叙事和平静体悟中回归“东方人伦”,重建“父亲权威”。追求人性,坚守本土,对社会家庭关系变动调整的殷切注视,对现实传统文化迁移流失的关怀认同.使中国当代电影具有一种强大的艺术力量。

关 键 词:父亲权威  东方人伦  回归重建  困惑召唤
文章编号:1004-468X(2006)03-79-05
收稿时间:2006-05-13
修稿时间:2006-05-13

The Father's Authority in Modern Chinese Films and the Subversion and Reconstruction of the East Ethics
GUO Ze-qing. The Father's Authority in Modern Chinese Films and the Subversion and Reconstruction of the East Ethics[J]. Journal of ZhangZhou Teachers College(Philosophy & Social Sciences), 2006, 20(3): 79-83
Authors:GUO Ze-qing
Affiliation:GUO Ze-qing
Abstract:There are constant conflicts between father and son in China's modern films, form "patrecide", denial of father" to "recognition of father" In 2005, many Chinese film directors happened to direct the flims in the same aspect: they made the "East ethics "returned and reconstructed the "father's authority" based on the common people's sincere feeling, impressive narrating and peaceful appreciation. The pursuit of human nature, holding on the native ground, eager attention to the change and adjustment, to the social and family relationship, and to the care and identification on the removal and loss of the traditional culture in the reality all strengthen the artistic force in China's modem films.
Keywords:father's authority   East Ethics   return and reconstruction   puzzle and summon
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