| 朱仙镇木版年画和桃花坞木版年画比较性研究 |
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| 引用本文： | 张艺. 朱仙镇木版年画和桃花坞木版年画比较性研究[J]. 中州大学学报, 2010, 27(1) |
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| 作者姓名： | 张艺 |
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| 作者单位： | 中州大学,艺术学院,郑州,450044 |
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| 基金项目： | 河南省教育厅十一五教育科学规划项目 |
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| 摘 要： | 木版年画起源于春节贴在门上的桃符,桃符是年画的艺术雏形,历史久远。它伴随着雕版技术的产生兴于宋,盛于明清,是中国传统绘画中最具民间特色的艺术形式。朱仙镇木版年画和桃花坞木版年画有着相同的历史渊源,但由于它们所处的地理环境、人文环境以及历史境遇的不同,所呈现出来的风格面貌有着很大的差异。通过比较研究它们的历史沿革及风格差异,使我们更好的继承民族文化遗产,提高创新能力,增强民族自信心,为艺术创作和艺术设计提供新的活力。
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| 关 键 词： | 仙镇木板年画 桃花坞木版年画 门神 题材 |
Comparative Study of Woodcut New Year Paintings in Zhuxianzhen and Taohuawu |
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| ZHANG Yi. Comparative Study of Woodcut New Year Paintings in Zhuxianzhen and Taohuawu[J]. Journal of Zhongzhou University, 2010, 27(1) |
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| Authors: | ZHANG Yi |
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| Affiliation: | ZHANG Yi(Art College,Zhongzhou University,Zhengzhou 450044,China) |
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| Abstract: | Woodcut New Year paintings originated in Taofu.It was developed in Song Dynasty and prospered in Ming and Qing Dynasty.It is a unique art form in Chinese traditional painting.Woodcut New Year paintings in Zhuxianzhen and Taohuawu have the same origin,but they tend to show great differences in art styles because of different locations,cultural environment and historical circumstances.Researches on their histories and style differences can help us inherit our national cultural heritage better,enhance our nati... |
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| Keywords: | woodcut New Year paintings in Zhuxianzhen woodcut New Year paintings in Taohuawu gate god theme |
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