| 原始的三度视觉概念与现代艺术 |
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| 引用本文： | 王薇. 原始的三度视觉概念与现代艺术[J]. 温州大学学报(自然科学版), 2005, 26(1): 84-87 |
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| 作者姓名： | 王薇 |
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| 作者单位： | 温州师范学院美术学院,浙江,温州,325035 |
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| 摘 要： | 任何绘画的表现形式都应该是在完整的三度视觉概念的基础上进行的。古代岩画、古埃及壁画以及儿童绘画的潜在的共性恰恰是对三度物体感知后的活动,客观意义上也影响了现代艺术家们对于三度视觉概念的重新认识,即三度视觉概念的平面化再现。
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| 关 键 词： | 三度视觉概念 二维平面 现代艺术 媒介 |
| 文章编号： | 1006-0375(2005)01-0084-04 |
| 修稿时间： | 2004-04-23 |
The Original Concept of Tridimensional Vision and Modern Art |
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| WANG Wei. The Original Concept of Tridimensional Vision and Modern Art[J]. Journal of Wenzhou University Natural Science, 2005, 26(1): 84-87 |
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| Authors: | WANG Wei |
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| Abstract: | The manifestation for any drawing should be carried out on the base of a complete tridimensional visual concept. The potential generality of ancient rock drawings, Egyptian frescos and Children's drawings is just an activity of perception on tridimensional objects, which affects contemporary artists' re-understanding on the tridimensional objects in an objective sense, that is, the plane reappearance of the tridimensional visual concept. |
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| Keywords: | The concept of tridimensional vision Planar Modern art media |
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