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Non-Photorealistic Rendering in Chinese Painting of Animals
作者姓名:Jun-Wei Yeh  Ming Ouhyoung
作者单位:Department of Computer Science and Information Engineering,National Taiwan University,Taibei 104
摘    要:1 Introduction1 Non-photorealistic rendering (NPR) is a newly developed rendering technique in recent years. The goal of NPR is not rendering objects realistically but more creatively such as in simulating various painting styles. Curtis, et al. 1] simulates the physical property of media and substrate in watercolor. But his work only focused on 2D image processing and does not use the information of 3D model in 3D scene rendering. There is another important artistic style in NPR call…

关 键 词:绘画  非光实现涂粉  动物着色  色量子化

Non-Photorealistic Rendering in Chinese Painting of Animals
Jun-Wei Yeh,Ming Ouhyoung.Non-Photorealistic Rendering in Chinese Painting of Animals[J].Journal of System Simulation,2002,14(9):1220-1225.
Authors:Jun-Wei Yeh  Ming Ouhyoung
Institution:Department of Computer Science and Information Engineering, National Taiwan University, Taibei 104
Abstract:A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing direction of a user. After retrieving silhouette information from all model edges, a stroke linking mechanism is applied to link these independent edges into a long stroke. Finally we grow a plain thin silhouette line to a stylus stroke with various widths at each control point and a 2D brush model is combined with it to simulate a Chinese painting stroke. In the interior shading pipeline, three stages are used to convert a Gouraud-shading image to a Chinese painting style image: color quantization, ink diffusion and box filtering. The color quantization stage assigns all pixels in an image into four color levels and each level represents a color layer in a Chinese painting. Ink diffusion stage is used to transfer inks and water between different levels and to grow areas in an irregular way. The box filtering stage blurs sharp borders between different levels to embellish the appearance of final interior shading image. In addition to automatic rendering, an interactive Chinese painting system which is equipped with friendly input devices can be also combined to generate more artistic Chinese painting images manually.
Keywords:Chinese painting of animals  non-photorealistic rendering  color quantization  ink diffusion
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