| 徐渭小品的审美取向 |
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| 引用本文： | 李子良. 徐渭小品的审美取向[J]. 长春师范学院学报, 2009, 0(7) |
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| 作者姓名： | 李子良 |
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| 作者单位： | 吉林省教育学院中文系; |
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| 摘 要： | 晚明是小品创作走向自觉的辉煌时代。生活在晚明的徐渭,其小品创作不仅在数量上甚丰,而且在质量上具有极高的审美价值,在晚明小品的发展史上占有极其重要的地位。其小品远出七子派,上继唐宋派余绪,下开公安派先声,陆云龙编辑出版的《皇明十六家小品》将其推举为第一家;晚明执文坛牛耳的领袖人物袁宏道更是发出今耶古耶的激赏,认为其文章在明朝数得上第一。更为可贵的是,其小品在创作上有自己明确的审美取向,倡导彼之古者即我之今,彻底否定复古主义,强调本色,追求新奇。
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| 关 键 词： | 小品 审美取向 本色 新奇 |
The Aesthetic Orientation in Xu Wei's Essays |
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| LI Zi-liang. The Aesthetic Orientation in Xu Wei's Essays[J]. Journal of Changchun Teachers College, 2009, 0(7) |
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| Authors: | LI Zi-liang |
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| Affiliation: | LI Zi-liang (Chinese Department,Jilin Provincial Institute of Education,Changchun 130022,China) |
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| Abstract: | The late Ming Dynasty is a glorious era of essay production moving towards self-ruling.Xu Wei,living in late Ming Dynasty,wrote not only numerous,but also high-quality aesthetic essays.He obtained a crucial position in the development of essay writing in late Ming Dynasty.His works outran those by seven-writer school.He inherited from schools of writers in Tang and Song Dynasties,and started the new school of Gong'an.In Essays by Sixteen Writers edited by Lu Yunlong,Xu Wei was put on the top of the list.The... |
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| Keywords: | essay aesthetic orientation innate character novelty |
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