| 形声字论 |
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| 引用本文： | 陆忠发.形声字论[J].杭州师范学院学报(社会科学版),2011(4). |
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| 作者姓名： | 陆忠发 |
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| 作者单位： | 杭州师范大学人文学院; |
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| 摘 要： | 形声字一开始是在表意字基础上添加明确字义、明确字音、明确材质的提示符号和具有类化的性质的明确器物形状的提示符号以及添加与字所表达的概念相关的提示符号形成的。添加提示符号最终导致形声字大量出现,这可能与人们在添加提示符号时所认识到的概念可以类化有关。经过多次添加提示符号,人们终于悟出一个道理:表达一个概念,我们在心理上既想知其音,又想知其义,只要音、义兼备就行了。于是,形、声相拼的形声字就大量出现。形声字产生的途径有三个,把字的某一个部分改造成为表示字音的部件,使整个字具备表音的成分,这样的字既不是会意字,也不是形声字,是六书中包含不进的字。汉字之所以能够与汉语长期相伴,是形声字出现的结果。
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| 关 键 词： | 形声字 会意字 提示符号 |
On Chinese Phonograms |
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| LU Zhong-fa.On Chinese Phonograms[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2011(4). |
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| Authors: | LU Zhong-fa |
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| Institution: | LU Zhong-fa(School of Humanities,Hangzhou Normal University,Hangzhou 310036,China) |
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| Abstract: | Chinese phonograms are taken shape by adding prompt symbols to associative compounds.By adding prompt symbols,people recognize a principle: if we want to express a conception,we need to know its voice and meaning.Thereupon,a large number of ponograms by merging pictorgraphic elements for meaning with pictorgraphic elements for voice come into being.The reason why Chinese characters can get along with Chinese language permanently can be explained by the emergence of the large number of phonograms. |
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| Keywords: | phonogram associate compound prompt symbol |
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