| 略论音乐审美模仿说 |
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| 引用本文： | 纪丽静.略论音乐审美模仿说[J].长春师范学院学报,2007,26(1):152-153. |
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| 作者姓名： | 纪丽静 |
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| 作者单位： | 大连大学音乐学院 辽宁大连116000 |
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| 摘 要： | 由音乐对自然的模仿到对动态、情感、性格的模仿,音乐审美模仿说在哲学上已具有模仿论和情感论因素的二重性,为情感论的出现打下了基础。因此,在审美史上,音乐审美模仿论是功不可没的。
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| 关 键 词： | 音乐审美 自然 模仿 |
| 文章编号： | 1008-178X（2007）01-0152-02 |
| 修稿时间： | 2006-10-16 |
On the Aesthetic Imitation of Music |
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| JI Li-Jing.On the Aesthetic Imitation of Music[J].Journal of Changchun Teachers College,2007,26(1):152-153. |
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| Authors: | JI Li-Jing |
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| Institution: | College of Music, Dalian University, Dalian 116622, China |
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| Abstract: | From the musical imitation of nature to the dynamic,emotional and character imitation,the aesthetic imitation of music has had dualism of imitation theory and emotionalism and lay the foundation for the emergence of emotionalism.So,in the history of aesthetics,the aesthetic imitation of music is definitely not to be neglected. |
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| Keywords: | musicological aesthetic nature imitation |
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