| 电影色彩与构图的价值论 |
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| 引用本文： | 赵剑章. 电影色彩与构图的价值论[J]. 西昌学院学报(自然科学版), 2017, 31(1): 93-95 |
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| 作者姓名： | 赵剑章 |
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| 作者单位： | 安徽职业技术学院纺织服装学院 |
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| 摘 要： | 纵观电影视觉艺术观念的逐步发展和变化,银幕画面的色彩与构图在现代化技术媒介的支持下,进一步拓展了电影视觉艺术表达的张力,并以现代化艺术语言发展方式逐步对电影的色彩与构图创作观念加以更新。不论是靠近、再现、再创造,还是传情达意、参与叙事,电影画面的色彩与构图观念始终在不断更新和进步,很多经典电影作品不乏巧妙的色彩与构图妙思,成为展现电影主题情感与精神世界的一面理想的镜子。
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| 关 键 词： | 电影；色彩；构图；情感；主题 |
On the Value of Film Color and Composition |
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| ZHAO Jian-zhang. On the Value of Film Color and Composition[J]. Journal of Xichang College, 2017, 31(1): 93-95 |
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| Authors: | ZHAO Jian-zhang |
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| Affiliation: | Department of Textile and Garment,Anhui Vocational and Technical College |
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| Abstract: | Abstract: With the gradual development of the film visual art idea, the color and composition of the screen furtherexpands the tension of the film visual art expression by modern technical media. The color and composition of thefilm creation concept is innovated constantly through the way of developing modern art language, including near,reproduction, recreation, expression and narrative art. Many classic films contain smart color and compositionidea, which is thought as an ideal mirror to show the emotional and spiritual world of the movie theme |
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| Keywords: | film color composition emotion theme |
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