| 新编粤剧《目连救母》中佛、儒孝道观的矛盾与融合 |
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| 引用本文： | 徐俊颖.新编粤剧《目连救母》中佛、儒孝道观的矛盾与融合[J].河池师专学报,2014(3):6-9. |
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| 作者姓名： | 徐俊颖 |
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| 作者单位： | 广西大学文学院,广西南宁530004 |
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| 摘 要： | 中国儒家的孝道观和原始佛教的孝道观存在很大的差异，这些差异给佛、儒孝道观的融合带来了很大阻碍。最终，佛教依靠它的圆融性，儒家也凭借它的包容性，使两种孝道观相互融合。这种矛盾和融合在目连戏中表现得尤为突出。新编粤剧《目连救母》依旧沿袭了目连戏“孝”的主旨，但是这部戏较其他地方剧种对孝的表现力度更大。其中佛、儒孝道观的矛盾和融合的也体现的更加明显。
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| 关 键 词： | 《目连救母》 佛教 儒家 孝道观 |
The Conflict and Integration of Buddhist Philosophy and Confucian in the Cantonese Opera Mu Lian Jiu Mu |
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| XU Jun-ying.The Conflict and Integration of Buddhist Philosophy and Confucian in the Cantonese Opera Mu Lian Jiu Mu[J].Journal of Hechi Normal College,2014(3):6-9. |
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| Authors: | XU Jun-ying |
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| Institution: | XU Jun-ying (College of Liberal Arts, Guangxi University, Nanning, Guangxi 530004, China ) |
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| Abstract: | The Concept of filial piety in the Buddhist philosophy and Confucian have many differences,which makes it difficult to the integration of them. However, Buddhism with its harmony, and Confucian depending on its pardon, they have become integrated. This situation is prominent in the Cantonese opera Mu Lian Jiu Mu. which follows the purport of traditional MuLian opera, and the concept of filial piety has been strongly performed. |
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| Keywords: | Mu Lian Jiu Mu Buddhist Confucian the concept of filial piety |
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