“声无哀乐”之我见——从嵇康的音乐美学思想谈起

音乐的内容与形式问题是千百年来人们一直争论的话题.嵇康的<声无哀乐论>之音乐美学思想来源于道家哲学,嵇康的"声无哀乐论"思想论述了音乐的内容与形式之间的关系,认为音乐形式与情感无关.然而从音乐形式的构成方式、存在方式、音乐作品的实现方式等环节作客观分析,进而从人的生理和心理上管窥音乐与人类的情感之间的关系,就会发现音乐是能够而且必须表达人的情感的.

A Study On "Sounds Neither Sad nor Happy"--From the Perspective of JI Kang's Aesthetic Thoughts

The contents and forms of music have been a controversial topic argued by many people and for many generations. This paper tries to find JI Kand's ideological sources from the perspectives of philosophy and aesthetics and analyze the notion of contents and forms and then the structure and existence of music, the methods of realizations and etc ... It also analyzes the relations between the human's emotion and music with the help of physiology and psychology, then concludes that music can and should express man's feelings or emotions.