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试析张艺谋电影的造型语言
引用本文:杜彬,倪丽.试析张艺谋电影的造型语言[J].达县师范高等专科学校学报,2008,18(1):51-53.
作者姓名:杜彬  倪丽
作者单位:云南师范大学文学与新闻传播学院,云南昆明650222
摘    要:张艺谋电影造型风格大概分为三类,一类是艺术与内容较为完美结合的作品,造型的能指背后是浓郁的民俗展现和深厚的文化反思以及深刻历史批判的所指,体现的是其造型的厚重感;二类是进行形式实验拍摄的城市题材电影,追求的是造型的快乐感;三类是形式大于内容的作品,造型能指背后的所指还是形式,形式是一种美,内容之空也是一种美,空到极致实际上是一种大美无言的境界,完美展现其造型的空灵感.

关 键 词:张艺谋  电影  造型语言  空灵
文章编号:1008-4886(2008)01-0051-03
收稿时间:2007-09-28
修稿时间:2007年9月28日

An Analysis of Shape Language in the Films by Zhang Yi-mou
DU Bin,NI Li.An Analysis of Shape Language in the Films by Zhang Yi-mou[J].Journal of Daxian Teachers College,2008,18(1):51-53.
Authors:DU Bin  NI Li
Abstract:This paper points out there are 3 types in the shape styles of movies by Zhang Yi-mou.The first type is those works with prefect combination of art and contents.What is behind the shape refers to rich nation's custom display and deep cultural reflection and profound historical critique.It shows heavy feelings of the shape.The second type is the movies about the city topic in a form experiment filming to pursue the happy feeling of the shape.The third is the film works in which forms are beyond contents.The referent of the shape is still a form,and form is a sort of beauty,and the emptiness of content is also a sort of beauty,in fact the summit of emptiness is a nice state of non-expressing,which perfectly shows an empty and light feeling of the shape.
Keywords:movies by Zhang Yi -mou  the shape language  emptiness and lightness
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