| 工笔人物画创作中的意象造形 |
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| 引用本文： | 马刚. 工笔人物画创作中的意象造形[J]. 济源职业技术学院学报, 2006, 5(3): 64-66 |
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| 作者姓名： | 马刚 |
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| 作者单位： | 焦作师范专科学校,艺术系,河南,焦作,454001 |
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| 摘 要： | 现代工笔人物画造型大多采用西方素描再现方法,而忽视了我国传统绘画的意象表现,本文从绘画理论和美学思想方面入手,探讨了我国工笔人物传统绘画重意轻形的美学理念,我们只有对传统文化深入了解,才能真正做到对我国绘画艺术的创新和发展。
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| 关 键 词： | 工笔画 意象 造形 |
| 文章编号： | 1672-0342（2006）03-0064-03 |
| 收稿时间： | 2005-08-17 |
| 修稿时间： | 2005-08-17 |
Imagery Mould in the Creation of Traditional Chinese Realistic Figure Painting |
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| MA Gang. Imagery Mould in the Creation of Traditional Chinese Realistic Figure Painting[J]. JOurnal of Jiyuan Vocational and Technical College, 2006, 5(3): 64-66 |
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| Authors: | MA Gang |
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| Affiliation: | Department of Arts, Jiaozuo Normal School, Jiaozuo 454001, Henan, China |
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| Abstract: | Most modern traditional Chinese realistic figure moulds take the form of western sketch and ignore the imagery expression of Chinese traditional painting. The essay, from the aspects of painting theory and aesthetic ideas, discusses aesthetic concept of traditional Chinese realistic figure painting which weighs imagery than form. Only when we make thorough understanding of traditional culture can we innovate and develop Chinese painting. |
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| Keywords: | traditional Chinese realistic figure painting imagery mould |
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