| 民国时期“美术大众化”思想的传播及其意义——以1929年第一次全国美术展览会为视点 |
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| 引用本文： | 崔广晓.民国时期“美术大众化”思想的传播及其意义——以1929年第一次全国美术展览会为视点[J].邵阳高等专科学校学报,2010(5):111-113. |
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| 作者姓名： | 崔广晓 |
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| 作者单位： | 广州美术学院图书馆,广东广州510261 |
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| 摘 要： | 从前,艺术品多被有钱或有势之家收藏,除非与他们有某种关系或者作为其食客幕僚以外,一般民众是看不到的。1929年民国时期教育部主办的第一次全国美术展览会,从组筹到实现的整个过程中采取的一系列举措,可以说在一定程度上打破了艺术品秘不示人的陋习,强烈地显示出美术大众化、社会化的文化意识。
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| 关 键 词： | 1929年第一次全国美术展览会 美术大众化 传播 |
The Spreading and Significance of ＂The fine arts popularization＂ thought in Republic of China——A Case Study of the First National Fine Arts Exhibition in 1929 |
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| CUI Guang-xiao.The Spreading and Significance of ＂The fine arts popularization＂ thought in Republic of China——A Case Study of the First National Fine Arts Exhibition in 1929[J].Journal of Shaoyang College,2010(5):111-113. |
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| Authors: | CUI Guang-xiao |
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| Institution: | CUI Guang-xiao(Library,Guangzhou Fine Arts Academy,Guangzhou 510261,China) |
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| Abstract: | In the past,works of art were only collections of rich or powerful people,only their guests could have the chance to have a look at them,ordinary people never had.In 1929,the Ministry of Education sponsored the first national fine arts exhibition,breaking to some extent the vulgar customs of no displaying them,and demonstrating the cultural notion that fine arts should be popularized and socialized. |
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| Keywords: | first national art exhibition in 1929 art ordinary people thought |
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