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现代藏族艺术中的更敦群培和安多强巴——艺术创作方法比较研究
引用本文:边巴琼达. 现代藏族艺术中的更敦群培和安多强巴——艺术创作方法比较研究[J]. 西藏大学学报, 2010, 0(6): 108-116
作者姓名:边巴琼达
作者单位:西藏大学艺术学院,西藏拉萨850000
摘    要:更敦群培和安多强巴是二十世纪西藏重要的写实艺术家,他们的绘画作品和艺术主张给当时的西藏艺术带来新的面貌。文章通过对近年来出版的文献、同时代摄影作品资料以及更敦群培和安多强巴教育经历、艺术活动和各个时期重要绘画作品的深入研究,分析了各自的艺术特点及形成的原因。

关 键 词:更敦群培  安多强巴  写实绘画  现代艺术

A Comparative Study of the Artistic Creation of two Modern Artists of Tibet, Gendun Chopel and Amdo Champa
Affiliation:Benpa Chongda (Art College of Tibet University, Lhasa, Tibet 850000)
Abstract:Gendun Chopel and Amdo Champa both are distinguished realist painters in the first half of 20th century. Their paints and views of art added some new elements for Tibetan art. With reference to the relevant articles, pictures and their paints, and the investigation of the education they received, the art activities they had, an analysis is done to figure out the features and origins of their paints which are deeply influenced by western art, and their views of traditional Tibetan art, modem art of south Asia and the early stage of modem art. The features and wavs of their artistic creation are compared in this article as well.
Keywords:Gendun Chopel  Amdo Champa  realist painting  modern art
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