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现代性与审美现代性
引用本文:侯新兵.现代性与审美现代性[J].贵州师范大学学报(社会科学版),2004(1):76-80.
作者姓名:侯新兵
作者单位:广西师范大学中文系,广西,桂林,541004
摘    要:现代性,作为20世纪的元话语,对其界定是从不同层面进行的。就是说,没有囊括一切的现代性,只有诸种不同层面的现代性。审美现代性作为现代社会中审美关系的反映、产物,与现代性存在"多元一体"的三重关系:现代性孕生审美现代性,审美现代性又是对现代性的批判、重建和超越。审美现代性是被把握在美学思想中的它的时代,反映的是美学主潮问题,它体现了历史主义、人文主义、审美主义三大理念的综合。

关 键 词:现代性  审美现代性  多元一体
文章编号:1001-733X(2004)01-0076-05
修稿时间:2003年9月2日

Modernity and Aesthetic Modernity
HOU Xin-bing.Modernity and Aesthetic Modernity[J].Journal of Guizhou Normal University(Social Science Edition),2004(1):76-80.
Authors:HOU Xin-bing
Abstract:Modernity, considered as the fundamental language of the 20~(th) century, is often defined from different levels. That is to say, there is not any all-embracing modernity. Aesthetic modernity is the reflection and product of all kinds of aesthetic relations in modern society. Between the aesthetic modernity and the modernity a multi-relationship exists: (1)Aesthetic modernity origins from the modernity.(2)The former bases itself on the criticism, reconstruction and transcendence to the latter. Aesthetic modernity is not only a reflection of the aesthetic mainstream but also that of three main ideologies: historicism, humanism and aestheticism.
Keywords:modernity  aesthetic modernity  multi-relationship
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