| "中华第一笛":中国律学演进的基始 |
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| 引用本文： | 纪俊娟,苏柳."中华第一笛":中国律学演进的基始[J].韶关学院学报,2007,28(8):122-123. |
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| 作者姓名： | 纪俊娟 苏柳 |
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| 作者单位： | 1. 韶关学院,音乐系,广东,韶关,512005
2. 河南省艺术研究院,河南,郑州,450053 |
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| 摘 要： | 20世纪80年代始,河南舞阳贾湖相继出土了30多支骨笛.这些骨笛表明:早在8000年前我们的先祖已经有了诸如音准概念、音孔规范乃至律吕意识,但律学的完全成熟则是16世纪后期朱载堉的十二平均律.
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| 关 键 词： | 骨笛 刻痕 中原文化 |
| 文章编号： | 1007-5348(2007)08-0122-02 |
| 修稿时间： | 2007年6月28日 |
The No.1 Flute: The Starting Point of the Chinese Musicology |
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| JI Jun-juan,SU Liu.The No.1 Flute: The Starting Point of the Chinese Musicology[J].Journal of Shaoguan University(Social Science Edition),2007,28(8):122-123. |
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| Authors: | JI Jun-juan SU Liu |
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| Institution: | 1. Department of Music, Shaoguan University, Shaoguan 512005, Guangdong, China; 2. Henan Institute of Arts, Zhengzhou 450053, Henan, China |
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| Abstract: | There unearthed in succession more than 30 pieces of flutes made of bone in 1980s.These bone flutes proved that at least 8000 years ago our ancestor had been aware of the concept of accuracy in pitch,the rules of sound intensity and the awareness of temperament which matured actually in the late 16th century in Zhu Zai-yu's"the Even-numbered Twelve Pitches". |
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| Keywords: | bone flute engraving traces culture of Central plains |
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