口传文学的编创律则——以“调山歌“为例

因为有"民间文学是劳动人民的集体创作"这样一个盖棺论定的结论,所以原本很复杂的口传文学编创问题也就很少有人涉足了.试以吴语叙事山歌歌手广泛采用的"调山歌"为例,深入口传文学的本体世界、探讨其编创规律,并提炼出表演中的动态编创、套式化编创、节点编创等口传文学的三项基本编创律则.

Composition Principles for Oral Literature --A Case Study of "Borrowing Strategy"

There has been little academic analysis of the oral composition in China since there has existed the conclusive statement that "folk literature is the collective creations of the laborers". Taking the "Borrowing Strategy" widely used by the singers of Wu Ballads as an example, the author of this article, however, makes tentative efforts to explore the oral works through composition techniques, putting forward three basic oral composition principles-dynamic composition, formulaic composition and pitch-point composition.