| 齐如山戏曲观众接受理论管窥 |
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| 引用本文： | 姜伟.齐如山戏曲观众接受理论管窥[J].沈阳大学学报,2010,22(5):55-57. |
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| 作者姓名： | 姜伟 |
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| 作者单位： | 徐州师范大学文学院,江苏徐州221116 |
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| 摘 要： | 概述并分析我国近代著名的戏曲理论家,近代的戏曲研究,尤其是京剧的发展与推广的独特贡献。认为他的戏曲研究较之于同时代诸多研究者呈现出了一种广阔的研究视域,他不但潜研戏曲本体理论,更将研究视角触及到戏曲接受理论等当时学者所易忽略的实践领域,使得其戏曲研究更为全面与专业。
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| 关 键 词： | 齐如山 戏曲接受论 角色 观众 |
On Qi Rushan's Reception Theory of Opera Audience |
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| JIANG Wei.On Qi Rushan's Reception Theory of Opera Audience[J].Journal of Shenyang University,2010,22(5):55-57. |
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| Authors: | JIANG Wei |
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| Institution: | JIANG Wei(School of Literature,Xuzhou Normal University,Xuzhou 221116,China) |
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| Abstract: | Qi Rushan＇s studies on modern opera are overviewed and analyzed.He is considered made unique contribution to he development and promotion of Beijing opera.His study of opera presents a broad horizon.He not only studied opera in theory,but also explored practice field,which was easy to be overlooked by scholars at that time,such as the reception theory of opera.His study of drama was comprehensive and professional. |
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| Keywords: | Qi Rushan reception theory of opera exploration |
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