| 论爱伦·坡小说的颠覆性 |
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| 引用本文： | 王德峰. 论爱伦·坡小说的颠覆性[J]. 新余高专学报, 2006, 11(4): 56-58 |
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| 作者姓名： | 王德峰 |
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| 作者单位： | 兰州大学,文学院,,甘肃,兰州,730020 |
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| 摘 要： | 爱伦.坡一生沉醉于描写死亡,描写人面对死亡时肉体和精神刹那间的直觉。这使得“颠覆性”成了坡小说的重要的美学特征。坡小说的颠覆性包括三个层面:现实与梦幻的颠覆→理智与迷狂的颠覆→生命与死亡的颠覆。
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| 关 键 词： | 颠覆 现实与梦幻 理智与迷狂 活着与死了 |
| 文章编号： | 1008-6765(2006)04-0056-03 |
| 收稿时间： | 2006-04-27 |
| 修稿时间： | 2006-04-27 |
On subversion of Edgar Allen Poe''''s novels |
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| WANG De-feng. On subversion of Edgar Allen Poe''''s novels[J]. Journal of XinYu College, 2006, 11(4): 56-58 |
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| Authors: | WANG De-feng |
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| Abstract: | Ellen Poe was dedicated to describing death and people's physical and mental instant intuition in the face of death.This makes subversion become an important aesthetic feature of Poe's novels,including subversion of reality and dream,subversion of reason and franticness and subversion of living and death. |
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| Keywords: | subversion reality and dream reason and franticness living and death |
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