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景观艺术设计初探
引用本文:张平,王世永. 景观艺术设计初探[J]. 浙江科技学院学报, 2002, 14(2): 52-56
作者姓名:张平  王世永
作者单位:1. 浙江科技学院艺术与设计系,浙江,杭州,310012
2. 浙江林学院园林艺术系,浙江,临安,311300
摘    要:从几个方面对景观艺术设计进行探讨,以时空的概念看待景观,把景观视为视觉所触及的一切实体与空间的总和,它有自然景观及人为景观之分,人在时间的流动与空间的转换中实现对景观的审美体验,景观是存在于主体与客体之间的艺术,客体(景物)只有被主体(人)赋予了审美情感,它才能称其为景观艺术,人既存在于景观之中,同时又是景观的设计和监护,因此,笔认为中国哲学中“天人合一”的思想,仍可视为现代景观艺术设计的最优观念。

关 键 词:景观 审美 艺术设计 建筑艺术
文章编号:1008-7680(2002)02-0052-05
修稿时间:2001-03-05

On artistic design of landscape
ZHANG Ping+,WANG Shi|yong+. On artistic design of landscape[J]. Journal of Zhejiang University of Science and Technology, 2002, 14(2): 52-56
Authors:ZHANG Ping+  WANG Shi|yong+
Affiliation:ZHANG Ping+1,WANG Shi|yong+2,
Abstract:The author of the paper attempts to discuss artistic design of landscape from several aspects: 1) viewed from the conception of space|time, landscape can be regarded as the sum total of substance and space which can be touched within vision; 2) landscape is composed of natural landscape and man|made landscape; 3) the aesthetic experience toward landscape can be obtained during the time flow and the space change. Landscape is an art that lies between subject and object. Only when an object (scenery) is given an aesthetic sentiment by a subject (person), can it be named as an art of landscape. Thus Man not only lies in the landscape, but also is the designer and guardian of the landscape. Therefore, the author argues that the thought that nature and human being exist harmoniously together in Chinese philosophy still can be the superior notion in modern artistic design of landscape.
Keywords:landscape  aesthetic  artistic design  
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