出世人格的纯粹化与唐末隐逸诗人的艺术取向

唐末隐风的盛行是朝政紊乱、阉寺弄权、科举失衡以及战乱不休的苦难现实多重作用的结果;与前代隐君相比,以南国才俊为主体的唐末隐逸诗人群体,出世态度更为坚决。隐逸人格在与仕宦人格的分离中渐臻纯粹,而隐、仕作家群体之间广泛持久的交流唱和又促使两种人格实现了以出世为指向的相通与契合。作为遁世人格的艺术表现,唐末隐君大多追求清丽闲远的纯美诗境;少数诗人则将狭隘萎缩的乱世心态集中体现在寒苦僻涩的苦吟作品中。唐末隐逸诗人一丝不苟的创作,展示着唐诗艺术走向衰落时的执著与凄美。

Hermits-Poets' Eremitic Pursuits and Their Artistic Orientations in Late Tang Dynasty

The eremitic pursuit in late Tang Dynasty was a result of the social hardships and tortures attributed to the years of war and chaos as well as political abuses. In comparison with their predecessors, the hermits-poets, with the majority in Southern China, were more determined to eschew political office and pursue a reclusive life. This drew a distinction line between the hermits-poets and officials-poets. However, the communication between them helped to create an affinity oriented to a hermitary life among them. Most of the poets seeked a simple, pure beauty through their poems, as a representation for their reclusive personality. Some others were narrow-minded in responding to the social chaos, only to indulge in the miserable expressions of their works. The hermits-poets in late Tang Dynasty showed us a picture of the artistic decline of Tang poetry, with a brush of persistence and beauty.