中央美院与中国美院国画人物教学思想成因简析

中央美术学院和中国美术学院国画人物画教学体系的形成各有其成因，这两种在艺术思想上不尽相同的体系，前是徐悲鸿艺术思想的产物，注重以素描能力来塑造人物，造型精准，画风严谨而厚重，对人物的性格个性和思想情感刻画十分深入；后受潘天寿艺术思想的影响，注重传统，注重从花鸟画等其它传统画种中吸收营养，以用来改造人物画，其画风秀润、清淡，具有传统化审美内涵。

On the cause of formation about teaching thoughts of Chinese figure painting in the Central Academy of Art and China Academy of Art

Taking form about teaching system of traditional Chinese figure pa inting has its cause of formation. The both on art thought are different system. The former is the result of XU Bei-hong art thoughts, Lay stress on creating ch aracters with sketch ability, moldmaking is accurate, the style of painting is r igorous, Depiction for character trait and thoughts is quite deep going. The lat ter is from PAN Tian-shou's thoughts. Laying stress on tradition and absorbing nutrition form flower and bird paintings and other traditional paintings to rema ke figure painting. Its style of painting is elegant. It has aesthetic connotati on of traditional culture.