| 略论《诗人主客图》之“清奇僻苦派” |
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| 引用本文： | 赵子抄,李寅生.略论《诗人主客图》之“清奇僻苦派”[J].沈阳大学学报,2009,21(6):50-53. |
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| 作者姓名： | 赵子抄 李寅生 |
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| 作者单位： | 广西大学,文学院,广西,南宁,530004 |
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| 摘 要： | 根据晚唐张为《诗人主客图》对部分中晚唐诗人划分为六个派系，而后世学者对这种流派的划分方式多有异议，还有一些学者甚至认为“清奇僻苦”一派划分也不合理的状况，结合这一派诗人的生平，对诗人的诗歌进行深入研究，以说明张为《诗人主客图》对这一派划分的合理性。
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| 关 键 词： | 张为 《诗人主客图》 “清奇僻苦派” “苦吟” 合理性 |
On "Qing Qi Pi Ku Genre" of Origins and Branches of Poetry |
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| ZHAO Zichao,LI Yinsheng.On "Qing Qi Pi Ku Genre" of Origins and Branches of Poetry[J].Journal of Shenyang University,2009,21(6):50-53. |
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| Authors: | ZHAO Zichao LI Yinsheng |
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| Institution: | (Institute of Culture, Guangxi University, Nanning 530004, China) |
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| Abstract: | A part of poets in middle-late Tang Dynasty were divided into six genres in the Origins and Branches of Poetry written by Zhang Wei. But some literatus doubted the legitimacy of that. Some of them even thought the division of ＂Qing Qi Pi Ku Genre＂ was unreasonable. The rationality of the division of this genre was explained through the analysis on the poets＇ experiences and poems of this genre. |
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| Keywords: | Zhang Wei Origins and Branches of Poetry Qing Qi Pi Ku Genre Kuyin legitimacy |
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