| 论西藏和平解放时期的音乐创作及其特点 |
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| 引用本文： | 米玛洛桑,次仁央宗.论西藏和平解放时期的音乐创作及其特点[J].西藏大学学报,2014(6):93-100. |
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| 作者姓名： | 米玛洛桑 次仁央宗 |
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| 作者单位： | 西藏大学艺术学院,西藏拉萨850000 |
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| 基金项目： | 2011年度国家社会科学基金艺术学西部项目“西藏当代音乐作品与作曲家研究”（项目号：11ED133）; 西藏大学珠峰学者培养计划阶段性成果 |
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| 摘 要： | 西藏和平解放时期,在雪域高原上出现了很多新歌、新的音乐形式。虽然这些作品在数量上、结构上、风格上、体裁上比后期出现的作品显少、显小、显得单一,但这一时期的音乐则是西藏当代音乐的源头,为西藏当代音乐的产生播下了种子。文章对西藏和平解放时期的音乐发展脉络及主要作品进行了分析,揭示了这一时期音乐创作的基本特点。
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| 关 键 词： | 西藏 和平解放时期 音乐作品 创作特点 |
On the Music Creation in the Period of Tibet＇s Peaceful Liberation and Musical Features |
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| Institution: | Migma Lobsang CirenYangzong (School of Art, Tibet University, Lhasa, Tibet 850000) |
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| Abstract: | During the period of Tibet＇s peaceful liberation, many new songs and new forms of music were creat-ed in the snow-covered plateau. Although the musical works are not as good as those created after the period interms of quantity, structure, style and genre, the musical works of this period is the source of contemporary Tibet-an music. This article analyzes the musical development and the main works of the period of Tibet＇s peaceful lib-eration, and reveals the basic characteristics of music creation during the period. |
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| Keywords: | Tibet in the period of Tibet＇s peaceful liberation musical works creative features |
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