首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论优伶性别的历史哲学
引用本文:厉震林.论优伶性别的历史哲学[J].新余高专学报,2003,8(4):7-10.
作者姓名:厉震林
作者单位:复旦大学,中文系,上海,200433
摘    要:在中国史学中,男性优伶大多呈现出一种政治化气质,而女性优伶则是一种演艺化印象。其实,这是一种本质主义论述方法。在实际历史状态中,男性优伶仍然时刻遭遇着压迫其退回女性化社会性别性格的社会势力,女性优伶也并非表明与政治无涉。这种史学策略,流露出一种“男尊女卑”的社会性别意识形态,包含着深刻的政治经济学思想意味。

关 键 词:男性优伶  政治化和女性化  女性优伶  演艺化和政治化
文章编号:1008-6765(2003)04-0007-04

On the historical philosophy of sex of actors of Chinese traditional operas
LI Zhen-lin.On the historical philosophy of sex of actors of Chinese traditional operas[J].Journal of XinYu College,2003,8(4):7-10.
Authors:LI Zhen-lin
Abstract:In the Chinese history, the actors of Chinese traditional operas have a kind of political qualities while actresses have a kind of acting image. Indeed, this is demonstrated from the perspective of essentialism. In the real historical state, actors often suffer from the social forces that oppress them to have the sex personality of the feminized society and actresses have something to with politics. This historical strategy shows a kind of ideology of social sex with man being senior and woman being lowly in social rank and has profound thought of political economy.
Keywords:Actors  Political inclination and feminizing  Actresses  Acting and political inclination
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号