| 论中国写意画的笔墨 |
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| 引用本文： | 杨建华. 论中国写意画的笔墨[J]. 韶关学院学报, 2002, 23(4): 83-86 |
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| 作者姓名： | 杨建华 |
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| 作者单位： | 韶关学院,美术系, 广东,韶关,512005 |
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| 摘 要： | 中国写意画以笔墨为主，用笔写形在于传神，气韵生动依赖于笔墨，放弃笔墨就失去了中国写意画的灵魂。由此 从十个方面对中国写意画创作中如何运用笔墨进行阐述，旨在提高绘画能力。
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| 关 键 词： | 国画 写意画 笔墨 |
| 文章编号： | 1007-5348(2002)04-0083-04 |
| 修稿时间： | 2001-11-22 |
On Chinese Brush and Ink of Freehand Brushwork in Traditional Chinese Painting |
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| YANG Jian hua. On Chinese Brush and Ink of Freehand Brushwork in Traditional Chinese Painting[J]. Journal of Shaoguan University(Social Science Edition), 2002, 23(4): 83-86 |
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| Authors: | YANG Jian hua |
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| Abstract: | Chinese brush and ink as an exclusive Chinese painting method is vitally important to freehand brushwork in traditional Chinese painting because that Chinese brush and ink is the soul of freehand brushwork in traditional Chinese painting and can make paintings more lifelike. In this paper, it is discussed how to use Chinese brush and ink for the creation of freehand brushwork in traditional Chinese painting in ten different ways in order to improve the painting ability. |
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| Keywords: | traditional Chinese painting freehand brushwork in traditional Chinese painting Chinese brush and ink |
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