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试论四灵诗歌的艺术渊源及特色
引用本文:吴侃民. 试论四灵诗歌的艺术渊源及特色[J]. 萍乡高等专科学校学报, 2012, 29(4): 49-53
作者姓名:吴侃民
作者单位:萍乡高等专科学校,江西萍乡,337000
摘    要:后人评论四灵的诗歌创作,多聚焦于他们师宗姚合、贾岛,此论虽道出了四灵诗歌的主要艺术渊源,但并不全面。除了师宗姚、贾之外,唐代的大历诗人、晚唐诗人及宋初的晚唐体诗人、南宋的杨万里、叶适等人都是四灵学习的对象。正是通过这样一种学习,他们形成了自己特有的诗风。

关 键 词:四灵  艺术渊源  艺术特色

On the Artistic Origin and Feature of Siling Poetry
Wu Kanmin. On the Artistic Origin and Feature of Siling Poetry[J]. Journal of Pingxiang College, 2012, 29(4): 49-53
Authors:Wu Kanmin
Affiliation:Wu Kanmin (Pingxiang College, Pingxiang 337000,China)
Abstract:Most of the people focused on their forefathers of Siling poetry like Yao He and Jia Dao, when they make comment about the origin of Siling poetry. This kind of commence have pointed out the major artistic origin of Siling Poetry, but it's not the comprehensive one. In addition to the forefathers like Yao He and Jia Dao, many other poets also served as Siling's teachers,such as the Da Li poets in Tang dynasty and poets in the late Tang dynasty, poets in Song dynasty with Tang style works, as well as poets in South Song dynasty like Yang Wangli, Ye Shi, and so on. It's just what he learned from these masters that contribute to his own style.
Keywords:Siling  artistic origin  artistic feature
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