| 关于在中国风景油画中切入中国传统文人画的思考 |
| |
| 引用本文： | 刘刚,郭仁海.关于在中国风景油画中切入中国传统文人画的思考[J].文山师范高等专科学校学报,2008,21(4):74-75. |
| |
| 作者姓名： | 刘刚 郭仁海 |
| |
| 作者单位： | 1. 文山师范高等专科学校美术系,云南,文山,663000
2. 玉溪师范学院,云南,玉溪,653100 |
| |
| 摘 要： | 对中国风景油画为什么要切入中国传统文化艺术精神进行论述，提出传统文入画“写意性”是中国当代油画审美领域拓展的新命题，继而论述了风景油画创作中如何运用传统文人画的表现方式，即“写意性”问题。
|
| 关 键 词： | 写意性 意境 空灵 传统文化 艺术精神 |
On Cutting Chinese Landscape in Oil Painting into Tradition Literati Painting |
| |
| LIU Gang,GUO Ren-hai.On Cutting Chinese Landscape in Oil Painting into Tradition Literati Painting[J].Journal of Wenshan Teachers College,2008,21(4):74-75. |
| |
| Authors: | LIU Gang GUO Ren-hai |
| |
| Institution: | LIU Gang1,GUO Ren-hai2 |
| |
| Abstract: | This article draws from why Chinese landscape in oil painting should be cut into traditional cultural artistic spirit and argues that artistic conception in traditional literati opens a new era for the aesthetics of modern Chinese oil painting.The article further proposes the ways of applying manifestation of literati painting to landscape in oil paintings,that is the free-hand quality. |
| |
| Keywords: | the free-hand quality artistic conception emptiness traditional culture artistic spirit |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
