| 道家思想在中国古代山水画论中的体现 |
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| 引用本文： | 宫旭红. 道家思想在中国古代山水画论中的体现[J]. 达县师范高等专科学校学报, 2013, 23(5): 105-107 |
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| 作者姓名： | 宫旭红 |
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| 作者单位： | 福建师范大学文学院,福建福州,350008 |
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| 摘 要： | 中国古代山水画论的思想基础是道家思想,从宗炳的“含道映物”到郭熙的“林泉之志”,道家精神始终贯穿其中.通过阐释中国古代山水画论代表作《画山水序》、《林泉高致》中道家思想的体现,可以发现,正是老庄的道家思想促成了中国山水画理论与批评的丰富多彩.
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| 关 键 词： | 中国山水画 道家思想 宗炳 郭熙 |
Embodiment of Taoist Thought in Ancient Chinese Landscape Painting Theory |
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| GONG Xu-hong. Embodiment of Taoist Thought in Ancient Chinese Landscape Painting Theory[J]. Journal of Daxian Teachers College, 2013, 23(5): 105-107 |
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| Authors: | GONG Xu-hong |
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| Affiliation: | GONG Xu - hong (Literature School of Fujian Normal University, Fuzhou Fujian 350008, China) |
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| Abstract: | The ideological foundation of ancient Chinese landscape painting theory is Taoist thought. From ＂Han Dao Ying Wu＂ （Taoism in Things） by Zong Bing to ＂Lin Quan Gao Zhi＂ （The Thought of Forest and Rivers） by Guo Xi, Taoist thought is thor- oughly expressed. The interpretation of Taoist thought in the two representative ancient Chinese landscape painting theory works ＂Hua Shan Shui Xu＂ （Preface to Painting Mountains and Waters） and Lin Quan Gao Zhi （The Standard of Forest and Rivers） make sure that it is the Taoist thought of Master Zhuang that enriches and colors the Chinese landscape painting＇s theory. |
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| Keywords: | Chinese landscape painting Taoist thought Zong Bing Guo Xi |
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