| 虚灵与写实--中国山水画与西方风景画空间审美感受的差异 |
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| 引用本文： | 陈萃浦.虚灵与写实--中国山水画与西方风景画空间审美感受的差异[J].漳州师院学报,2001,15(1):56-59. |
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| 作者姓名： | 陈萃浦 |
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| 作者单位： | 厦门师范学院!福建厦门361009 |
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| 摘 要： | 在空间境界上,中国山水画与西方风景画存在着差异,这种差异给人不同的审美感受,前者显得虚灵变幻,后者具有写实客观的特征;前者广大而深邃,后者科学而机械.中西方不同的文化背景、自然观及不同的空间处理方法、表现方法对这一差异的形成有一定的影响.
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| 关 键 词： | 空间 虚灵和写实 自然观 虚实法 透视法 |
| 文章编号： | 1004-468X(2001)01-56-04 |
| 修稿时间： | 2000年10月8日 |
Visionary and Reality |
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| CHEN Sui-bu.Visionary and Reality[J].Journal of ZhangZhou Teachers College(Philosophy & Social Sciences),2001,15(1):56-59. |
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| Authors: | CHEN Sui-bu |
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| Institution: | CHEN Sui-bu |
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| Abstract: | At the aspect of imagination, differences between Chinese traditional landscape painting and Western style landscape painting bring forth different aesthetic feelings. The former is full of visionary and dreams while the other tends to be more realistic and objective. The Chinese painting is profound. The Western style painiting is more scientif- ic and rigid. In my opinion, the cultural backgrounds, the natural views, the techniques of expression attribute to the differences. |
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| Keywords: | space visionary and reality natural views perspective |
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