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论肖邦C大调前奏曲(Op.28,No.1)的音乐特色与演奏
引用本文:胥必海.论肖邦C大调前奏曲(Op.28,No.1)的音乐特色与演奏[J].达县师范高等专科学校学报,2009,19(6):83-85.
作者姓名:胥必海
作者单位:四川文理学院,音乐系,四川,达州,635000 
摘    要:肖邦的24首前奏曲(Op.28),在"西方音乐之父"——J.S巴赫"旧约圣经"中前奏曲的有益借鉴下,成为前奏曲这一创作体裁的典范之作,对后世影响巨大。而C大调前奏曲(Op.28,No.1)作为整部作品的"开场白",起着引领全局的重要作用。研究和发掘其在演奏和教学中的价值,从另外的视野窥探这首作品所散发的永恒艺术魅力,是对其进行"渡创作"的必由之路。

关 键 词:肖邦  C大调前奏曲  音乐特色  演奏

Music Features of Chopin's C Major Prelude and Its Performance
XU Bi-hai.Music Features of Chopin''s C Major Prelude and Its Performance[J].Journal of Daxian Teachers College,2009,19(6):83-85.
Authors:XU Bi-hai
Institution:XU Bi-hai(Department of Music,Sichuan University of Arts and Science,Dazhou 635000,China)
Abstract:Chopin s 24 Preludes(Op.28) are the typical classic in composing prelude,which benefits from "The Old Testament" by J.S.Bach——"Father of Western Music".C major prelude(Op.28,No.1) as the prologue of the whole production,acts as an important and leading role.This paper has analyzed its value in musical performance and teaching,and,its permanent artistic charm is revealed from the alternative viewpoint,the only way to "transfer of composing".
Keywords:Chopin  C major prelude  music feature  performance  
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