| "宋四家"之"蔡"乃"襄"而非"京"的几点明证--兼论蔡襄的价值意义 |
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| 引用本文： | 王兴国."宋四家"之"蔡"乃"襄"而非"京"的几点明证--兼论蔡襄的价值意义[J].重庆三峡学院学报,2001,17(5):33-36. |
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| 作者姓名： | 王兴国 |
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| 作者单位： | 重庆三峡学院科研处,重庆万州,404000 |
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| 摘 要： | 惯称“宋四家”之“蔡”本为蔡京，后易为蔡襄，综合考察蔡襄跻身“四家”的成因及其本身书法艺术特色、成就，蔡襄名列“宋四家”是有其应有的价值意义的。对蔡襄在中国书法史上的地位由此也可有一个准确的定位。
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| 关 键 词： | 宋四家 蔡襄 艺术价值 |
| 文章编号： | 1008-4347(2001)05-0033-04 |
| 修稿时间： | 2001年4月12日 |
Proof of Caixiang Instead of Caijing and Caixiang's Significance |
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| WANG Xin-guo.Proof of Caixiang Instead of Caijing and Caixiang''''s Significance[J].JOurnal of Chongqing Three Gorges University,2001,17(5):33-36. |
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| Authors: | WANG Xin-guo |
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| Abstract: | Cai, one of the four calligraphy masters in Song dynasty, was originally called Caijin, later changed to be Caixiang. According to the overall study of the factors by which he was one of the four calligraphy masters and the calligraphic artistic feature and its achievement, it is significant that Caixiang rank in the four masters. Then his position in the history of calligraphy in China can find an accurate position. |
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| Keywords: | four calligraphy masters in Song dynasty Caixiang artistic value |
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