音乐欣赏本体性质探究

音乐欣赏的本体性质是音乐美学领域中重要很难回答的问题。音乐欣赏通过听觉来审美，在创造过程中，完成感性与理性的相互结合与统一。从音乐材料，结构环节和功能作用三方面断定，材料是物质和精神的统一性，结合是约定的感性材料与理性材料的结合、音乐欣赏有其独特的功能和广泛的联系，是一门介于社会科学与自然科学之间的交叉学科。     

Perceptual learning of dot pattern

Dot pattern is a type of pattern defined by specific spatial relationship among some dots. As a compensation for concrete and meaningful visual stimuli, meaningless dot pattern can be used as stimuli in learning tasks. We performed an experiment for exploring the perceptual learning process of dot pattern against random-dot background. Participants were required to learn two types of dot patterns (9-dot and 11-dot). They were assigned to two groups: participants in Group 1 learned 9-dot pattern first and 11-dot pattern later, while those in Group 2 learned 11-dot pattern first and 9-dot pattern later. The results showed that participants could acquire the spatial relationship of dot pattern through perceptual learning in relatively short learning time. In comparison with 9-dot pattern, learning time of 11-dot pattern was slightly longer and its accuracy rate lower, but there was significant positive transfer effect from 11-dot pattern learning to 9-dot learning.     

论直觉在科学创造中的作用

在科学基本原理的创立以及科学命题的验证中,直觉起着重大的作用,而且直觉的信念为科学创造提供了强烈的动机,然后进一步论述了直觉能力就是自由创造力.     

古代艺术思维的三种模式

中国古代艺术思维主要有神思、妙悟、灵感三种模式，三者既有共同方面，又有不同特征；既各自独立，又共存互补。这三种思维模式构成了古代艺术思维理论体系的基本框架，在今天仍有重要的理论意义和应用价值。     

数学直觉思维的概念和本质

本文讨论了数学直觉思维的概念和本质。指出数学直觉思维是一种基本的思维形式，是客观存在的反映、人脑的高级机能，是主体的数学知识经验和心理生理发展到一定阶段的必然产物，并探讨了数学直觉思维与数学的逻辑维、形象思维间的区别和联系。     

关于短延时码本激励线性预测编码方案的改进

在短延时码本激励线性预测语音编码方案中，直接用Ｇ．７２８所提供的现成码本时对加噪声后的语音信号进行编解码时，效果不好，作者利用ＬＢＧ算法训练了自己的码本，并利用此码本对加噪声后的语音信号进行编解码，取得了良好的效果，使主观感觉质量变好，信噪比提高了约３ｄＢ。     

一种MPEG2媒体同步控制算法

针对MPEG2软件解码器,提出了一种媒体同步控制算法。该算法无需调整解码器的本地系统时钟,而是以音频流为主媒体流,视频流为从媒体流,音频的播放速率保持不变,利用基于相同时间基点的媒体单元的播放时间标签,调整视频的播放帧率来实现媒体同步。同步调整后视频的同步比例由调整前的54.84%提高到99.52%,音视频的同步比例由调整前的5.07%提高到98.36%。结果表明,该算法可以实现解码器的媒体同步,满足用户提出的感知服务质量要求。     

Poincaréan intuition revisited: what can we learn from Kant and Parsons?

This paper provides a comprehensive critique of Poincaré’s usage of the term intuition in his defence of the foundations of pure mathematics and science. Kant’s notions of sensibility and a priori form and Parsons’s theory of quasi-concrete objects are used to impute rigour into Poincaré’s interpretation of intuition. In turn, Poincaré’s portrayal of sensible intuition as a special kind of intuition that tolerates the senses and imagination is rejected. In its place, a more harmonized account of how we perceive concrete objects is offered whereby intuitive knowledge is consistently a priori whatever the domain of application.     

论"新理学"的方法论探寻与实验

冯友兰在创建"新理学"体系时,有高度的方法论自觉,他不仅用清晰的逻辑分析方法清洗了中国传统哲学的概念,使得中国哲学史的研究获得了学术的现代形态,而且注意到形而上学的重建需要"正的方法"和"负的方法"的结合、逻辑分析和直觉的结合.但是,"负的方法"的引入,造成了"新理学"的内在紧张.单纯的"负的方法"之所得,并未避免用"正的方法"建构形上学所遭遇的悖论.结果"新知言"突破了"新理学"所谓哲学只使用纯粹思辩的限制.但是,理性的逻辑方法如何与直觉相结合,还是一个需要深入研究的问题.在此,辨证逻辑可能是一个更为基本的方法.     

Neural correlates of short-term perceptual learning in orientation discrimination indexed by event-related potentials

The current work investigated the neural correlates of visual perceptual learning in grating orientation discrimination by recording event-related potentials (ERPs) from human adults. Subjects were trained with a discrimination task of grating orientation in three consecutive training sessions within 2 h. While reaction times (RTs) were shortened gradually across training sessions, the N1 was decreased and the P2 was increased over the parietal and occipital areas. A broadly distributed P3 was increased along with more practices. In addition, the time course of learning reflected in the P2 and P3 amplitudes was in line with the changes of reaction times and exhibited a stable level during later training. The impli- cations of these results to the neural mechanisms subserving perceptual learning were discussed.