全文获取类型
收费全文 | 166篇 |
免费 | 11篇 |
国内免费 | 9篇 |
专业分类
系统科学 | 10篇 |
丛书文集 | 8篇 |
教育与普及 | 1篇 |
理论与方法论 | 4篇 |
现状及发展 | 2篇 |
综合类 | 161篇 |
出版年
2025年 | 1篇 |
2024年 | 2篇 |
2023年 | 1篇 |
2022年 | 2篇 |
2021年 | 6篇 |
2019年 | 2篇 |
2018年 | 2篇 |
2017年 | 7篇 |
2016年 | 3篇 |
2015年 | 3篇 |
2014年 | 6篇 |
2013年 | 5篇 |
2012年 | 7篇 |
2011年 | 8篇 |
2010年 | 9篇 |
2009年 | 13篇 |
2008年 | 7篇 |
2007年 | 14篇 |
2006年 | 13篇 |
2005年 | 14篇 |
2004年 | 12篇 |
2003年 | 11篇 |
2002年 | 7篇 |
2001年 | 10篇 |
2000年 | 1篇 |
1999年 | 1篇 |
1998年 | 4篇 |
1997年 | 3篇 |
1996年 | 1篇 |
1995年 | 1篇 |
1994年 | 1篇 |
1993年 | 2篇 |
1992年 | 2篇 |
1991年 | 1篇 |
1990年 | 3篇 |
1988年 | 1篇 |
排序方式: 共有186条查询结果,搜索用时 15 毫秒
1.
Margaret MacDougall 《Studies in history and philosophy of science》2010,41(2):138-147
This paper provides a comprehensive critique of Poincaré’s usage of the term intuition in his defence of the foundations of pure mathematics and science. Kant’s notions of sensibility and a priori form and Parsons’s theory of quasi-concrete objects are used to impute rigour into Poincaré’s interpretation of intuition. In turn, Poincaré’s portrayal of sensible intuition as a special kind of intuition that tolerates the senses and imagination is rejected. In its place, a more harmonized account of how we perceive concrete objects is offered whereby intuitive knowledge is consistently a priori whatever the domain of application. 相似文献
2.
3.
一种MPEG2媒体同步控制算法 总被引:4,自引:0,他引:4
针对MPEG2软件解码器,提出了一种媒体同步控制算法。该算法无需调整解码器的本地系统时钟,而是以音频流为主媒体流,视频流为从媒体流,音频的播放速率保持不变,利用基于相同时间基点的媒体单元的播放时间标签,调整视频的播放帧率来实现媒体同步。同步调整后视频的同步比例由调整前的54.84%提高到99.52%,音视频的同步比例由调整前的5.07%提高到98.36%。结果表明,该算法可以实现解码器的媒体同步,满足用户提出的感知服务质量要求。 相似文献
4.
5.
Dot pattern is a type of pattern defined by specific spatial relationship among some dots. As a compensation for concrete and meaningful visual stimuli, meaningless dot pattern can be used as stimuli in learning tasks. We performed an experiment for exploring the perceptual learning process of dot pattern against random-dot background. Participants were required to learn two types of dot patterns (9-dot and 11-dot). They were assigned to two groups: participants in Group 1 learned 9-dot pattern first and 11-dot pattern later, while those in Group 2 learned 11-dot pattern first and 9-dot pattern later. The results showed that participants could acquire the spatial relationship of dot pattern through perceptual learning in relatively short learning time. In comparison with 9-dot pattern, learning time of 11-dot pattern was slightly longer and its accuracy rate lower, but there was significant positive transfer effect from 11-dot pattern learning to 9-dot learning. 相似文献
6.
数学直觉思维的概念和本质 总被引:3,自引:0,他引:3
罗新建 《四川师范大学学报(自然科学版)》1997,20(3):89-93
本文讨论了数学直觉思维的概念和本质。指出数学直觉思维是一种基本的思维形式,是客观存在的反映、人脑的高级机能,是主体的数学知识经验和心理生理发展到一定阶段的必然产物,并探讨了数学直觉思维与数学的逻辑维、形象思维间的区别和联系。 相似文献
7.
Dot pattern is a type of pattern defined by specific spatial relationship among some dots. As a compensation for concrete and meaningful visual stimuli, meaningless dot pattern can be used as stimuli in learning tasks. We performed an experiment for exploring the perceptual learning process of dot pattern against random-dot background. Participants were required to learn two types of dot patterns (9-dot and 11-dot). They were assigned to two groups: participants in Group 1 learned 9-dot pattern first and 11-dot pattern later, while those in Group 2 learned 11-dot pattern first and 9-dot pattern later. The results showed that participants could acquire the spatial relationship of dot pattern through perceptual learning in relatively short learning time. In comparison with 9-dot pattern, learning time of 11-dot pattern was slightly longer and its accuracy rate lower, but there was significant positive transfer effect from 11-dot pattern learning to 9-dot learning. 相似文献
8.
张春芝 《井冈山大学学报(自然科学版)》2017,(4):8-12
首先给出直觉I-Fuzzy拓扑空间是a-T_i,a~*-T_i(=0,1,2)分离的概念,接着定义直觉I-Fuzzy拓扑空间是T_i分离的,最后讨论了两种分离性的关系。 相似文献
9.
在科学基本原理的创立以及科学命题的验证中,直觉起着重大的作用,而且直觉的信念为科学创造提供了强烈的动机,然后进一步论述了直觉能力就是自由创造力. 相似文献
10.
吴秀明 《杭州师范学院学报(社会科学版)》2001,(1):52-58
世纪之交文学思潮的突出表现是审美的转型 ,主要表现为 :一、审美思潮从生活化那里回归本体以后 ,在整体上日益明显地呈现多元开放的态势和转型嬗变的特点 ;二、就表现形态来看 ,审美思潮具体可分召唤理性和寻找感觉两种 ,它从一个侧面反映了时代审美意识的觉醒及文学的现代性进程 ;三、受中西文化思想的影响 ,审美思潮自始至终存在着民族化和世界化两大创作走向 ,它们相辅相成 ,不断地推进和提升着文学的层次和境界 相似文献