A new lycaenid butterfly exclusively associated with the subalpine sclerophyllous oak forests in Taiwan (Lepidoptera,Lycaenidae, Theclinae)

Subalpine sclerophyllous oak forest grows at high elevation in Taiwan, distantly separated from similar forest communities found in western China, Tibet and India. An investigation on bud‐breaking phenology of oaks and associated phytophagous insects in this community revealed an undescribed species of Teratozephyrus lycaenid. This and other oak‐associated insects suggest that the presence of this oak community in Taiwan resulted from a more widely distributed community. The newly discovered Teratozephyrus turned out to be most closely related to T. nuwaii, described from western China, and is described below as T. elatus sp. nov. Two other species of Teratozephyrus also inhabit Taiwan, but both are associated with broad‐leaved oak forests. Of them, T. arisanus is widespread both in China and Taiwan, is morphologically distinct from the other Teratozephyrus species and is exclusively associated with broad‐leaved oaks. The other, T. yugaii, probably gained its broad‐leaved oak association secondarily as no similar species is found in the broad‐leaved oak communities on continental Asia, and it favours cool, higher‐elevation environments even though its host plant ranges into far lower elevations.     

朱舜水与明末思想

朱舜水在长崎居住期间曾与安东省庵就"朱陆问题"有深入的探讨.省庵在与舜水相遇前就对陈建的<学蔀通辨>进行过"训点",倾向于"朱是陆非".后省庵曾就朱陆问题请教过舜水.对于作为士大夫一员并勇于承担明王朝溃败之责任的舜水来说,在思考明王朝溃败的深层原因时,能够明确指出陆象山和王阳明思想中的缺陷,应该说是一种非常深刻的问题意识.舜水不仅把阳明门下主张良知现成论的王畿等同于佛教而予以痛斥,更把东林学派的高攀龙、邹元标以及与东林学派有很深关系的刘宗周视为"道学者"而加以批判.     

牧口常三郎与梅棹忠夫之生态文明观及其当代价值

气候与环境已成为全球关注的重大问题。日本工业化之始,牧口常三郎提出地球是人类的教育者和幸福之源,人类应与自然共享幸福。工业化成功之时,梅棹忠夫又提出"文明的生态史观",强调地理环境与传统文化在国家现代化进程中的独特作用,反对西方发展模式的普适性。他们的生态文明思想,为人类最终解决气候与环境问题提供了一个独特的视角。     

宋金时期安多藏族部落佛教的兴盛及其原因

宋金时期,在今青海、甘肃及四川西北部的安多地区,由于安多藏族本土从未遭受西藏灭佛运动的影响、广泛的信仰藏传佛教的群众基础、藏传佛教信仰多神教徒不持戒的信仰方式,以及藏族蕃僧在政治上的崇高地位及其特权、中原王朝利用蕃部佞佛而实施羁縻政策,导致了佛教的繁荣和兴盛。     

浅析安藤忠雄的建筑哲学

通过对安藤忠雄建筑作品及建筑哲学的解读和分析，思索中国当代建筑设计中捕捉、理解中国传统建筑的灵魂的设计方式及方法。     

论徽派古民居与安藤建筑的“诗性”空间

以“诗性”的视角，审视徽派古民居与安藤建筑，发现两者在建筑空间所营造的审美意象上都实现了与天对话，与自然对话，实现了人、建筑、自然相互融合的诗意境界；在营造手法上，徽派古民居以自然山水和移情达性的诗画语境为特质来表达思维、感觉、理想的文化风貌，而安藤建筑空间强调把自然界的空气、阳光、雨水等直接引入到建筑的内部，促使人们用心去思考，激发人们的想象力。     

结合自然 形象简约 重塑传统——安藤建筑思想探析

安藤忠雄是当代日本杰出的建筑大师，他的建筑设计思想独特而深刻，概括起来主要有以下几个方面，即建筑与自然的有机联系。抽象几何空间的意境；对传统建筑文化深层次的表达。