从颜色词看中英文化差异

中英两种语言对颜色词的不同使用,反映其文化差异．正确理解掌握颜色词在中英两种不同文化背景下的具体用法及其差异所在,对于帮助我们提高语言能力,更好地成功实现跨文化交际具有现实意义．     

Pierre Duhem’s epistemic aims and the intellectual virtue of humility: a reply to Ivanova

David Stump (2007) has recently argued that Pierre Duhem can be interpreted as a virtue epistemologist. Stump’s claims have been challenged by Milena Ivanova (2010) on the grounds that Duhem’s ‘epistemic aims’ are more modest than those of virtue epistemologists. I challenge Ivanova’s criticism of Stump by arguing that she not distinguish between ‘reliabilist’ and ‘responsibilist’ virtue epistemologies. Once this distinction is drawn, Duhem clearly emerges as a ‘virtue-responsibilist’ in a way that complements Ivanova’s positive proposal that Duhem’s ‘good sense’ reflects a conception of the ‘ideal scientist’. I support my proposal that Duhem is a ‘virtue-responsibilist’ by arguing that his rejection of the possibility of our producing a ‘perfect theory’ reflects the key responsibilist virtue of ‘intellectual humility’.     

‘Good Sense’ in context: A response to Kidd

In his response to my (2010), Ian Kidd claims that my argument against Stump’s interpretation of Duhem’s concept of ‘good sense’ is unsound because it ignores an important distinction within virtue epistemology. In light of the distinction between reliabilist and responsibilist virtue epistemology, Kidd argues that Duhem can be seen as supporting the latter, which he further illustrates with a discussion of Duhem’s argument against ‘perfect theory’. I argue that no substantive argument is offered to show that the distinction is relevant and can establish that Duhem’s ‘good sense’ can be understood within responsibilist virtue epistemology. I furthermore demonstrate that Kidd’s attempt to support his contention relies on a crucial misreading of Duhem’s general philosophy of science, and in doing so highlight the importance of understanding ‘good sense’ in its original context, that of theory choice.     

Creating ‘Rhizomatic Systems’ for Understanding Complexity in Organizations

The article describes and demonstrates the use of a new research proposal for understanding the complexity in organizations in terms of a Deleuzian sense of an event. It creates the rhizome metaphor that allows the emergence of different ways of systems thinking, a legitimate challenge to the Modernist’s orthodoxy. For Deleuze and Guattari, micropolitics are the essence of what we call ‘rhizomatic systems.’ It is this concept of the organization, as a rhizome or rhizomatic systems that we want to focus from ‘problem solving’ in a real-world situation to the process of problematization, that is, the making or appreciating a series of events in the problematizing fields. The paper draws on the research experience in which participatory action research was carried out in a Korean distribution company. The participatory learning process happened to create a series of events in which ‘time-related research’ was conducted in order to facilitate the process of problematization within the organization.

基于改进BP网络的中文歧义字段分词方法研究

文本挖掘中中文歧义字段的自动分词是计算机科学面临的一个难题.针对汉语书写时按句连写,词间无间隙,歧义字段分词困难的特点,对典型歧义中所蕴含的语法现象进行了归纳总结,建立了供词性编码使用的词性代码库.以此为基础,通过对具有特殊语法规则的歧义字段中的字、词进行代码设定,转化为神经网络能够接受的输入向量表示形式,然后对样本进行训练,通过改进BP神经网络的自学习来掌握这些语法规则.训练结果表明:算法在歧义字段分词上达到了93.13%的训练精度和92.50%的测试精度.     

危机中的突围与自救：论东西小说的感官世界

一个作家的创作成就往往取决于作家对生活敏锐、深刻和独特的感受力。在当代小说创作面临全面危机的背景下,东西以其细腻而敏锐的感受能力,以感官叙事为基本语态,使其小说呈现出独具特色的艺术魅力,本文分别从视觉、听觉、嗅觉等视角对东西小说中所呈现出来的感官世界进行简要的描写和分析。     

电影《香水》的艺术审美分析

电影《香水》运用时空光影、画面声音等视觉造型元素,开启了一次神奇的嗅觉视觉化之旅,从人的感触出发,将《香水》所要表达的与美学原理中美感的产生相结合。从美感的直觉性、社会功利性、愉悦性、主观性的特征和美感的悲剧感,来看电影《香水》,对美感的概念就能有更具体的理解。     

平屋顶水平封闭方腔空气层厚度数值分析

为分析平屋顶水平封闭方腔作为保温系统时其内部空气层的相对最佳厚度,通过建立二维数值模型,选择"Presto!"压力插值格式及SIMPLE(Semi-Implicit Method for Pressure-Linked Equations)解耦算法,计算了在不同边界温差和边界材料导热系数下平屋顶水平封闭方腔内辐射传热量和对流换热量及其随空气层厚度的变化.在一定条件下,通过对计算结果进行回归分析,得到平屋顶水平封闭方腔在不同温差和不同边界材料导热系数下的相对最佳空气层厚度值.     

《一捧尘土》中的象征意义

《一捧尘土》是伊夫林.沃的代表作之一,作品中蕴含了犀利的社会批评,表现了作者对现代人和现代社会的彻底的绝望。伊夫林.沃在这部作品中灵活地运用了象征手法,将抽象事务具体化,丰富了小说的内涵和意义。     

说“音曰”

＂音曰＂这一训诂术语最早出现在东汉高诱的《吕氏春秋注》中,但历代注疏典籍用例甚少,古今辞书及训诂学著作均未提及。我们根据现有语料对＂音曰＂进行分析,认为它具有注音、释义、破通假、探同源、明连语等作用。通过对这一术语的分析,以期对训诂学研究和辞书编撰工作有所裨益。