用实二次型理论解多元函数的极值问题

文章以二次型理论为依据,提出了解决多元函数极值问题的另一种方法.     

彝族“打歌”初探

“打歌”史称“踏歌”，是一种自娱性的民间歌舞。彝族“打歌”历史悠久、曲调优芙、歌词内容丰富、舞姿活泼多变，并在国内外享有盛名，是彝族文化的重要组成部分，同时也是中华民族优秀的文化遗产之一。在当前世界范围内的现代化进程中，通过各种途径积极保护彝族“打歌”这一传统文艺形式具有十分重要的意义。     

化工传热过程计算方法的分析

通过分析比较化工传热过程计算中的平均温度差法(MTD法)和传热单元数法(NTU法),找出了它们之间的内在联系,结合这两种方法的优点,组合成了一种新的计算方法,应用于化工传热过程的计算,可使计算过程大为简便,同时又可评价换热设备流动型式的合理性。     

The Frontier Movement and The American Values and Beliefs

This paper briefly accounts the background of American values and beliefs. It analyses the essence of the American ideals and points out that the American values are exaggerated and glamorized by the American upper class. They are in a sense, a dose of anaesthetic and a kind of hypocrisy.     

The Response of Debris-Flow Events to Solar Proton Flares （Ⅰ）

By analyzing the observation data from Dongchuan Debris Flow Observation and Research Station and historical data from year 1965 to 1990 gotten from National Astronomical Ob-servatories/Yunnan Observatory,the responding of debris flow in Jiangjia Ravine to Solar Proton Flare is studied. The following conclusion can be drawn. Solar Proton Flare,as one of most im-portant astronomical factors,affects the activity of debris flow in Yunnan. Generally,from 1965 to1990,the more active Solar Pro-ton Flare is,the greater the probability of high frequency and large runoff of debris flow is. On the contrary,the less active Solar Pro-ton Flare is,the greater the probability of low frequency,small runoff,and low sediment transport of debris flow is.     

Picturing the moon: Hevelius’s and Riccioli’s visual debate

This article investigates the maps of the moon produced in the mid-seventeenth century by Jesuit Giambattista Riccioli (1598-1671) and Johannes Hevelius (1611-1687), whose cartographic projects competed for widespread acceptance. Although Hevelius’s Selenographia (1647) was applauded for its many detailed, self-engraved pictures of the moon, his cartography and proposed nomenclature were supplanted by Riccioli’s as offered in Almagestum novum (1651), in spite of the latter’s simplistic pictures and promotion of geocentric cosmology. Exploring this paradox through pictorial analysis, three types of images common to both Selenographia and Almagestum novum are compared, employing an analytical tool developed by Svetlana Alpers in The art of describing (1983). A focus on this debate exposes the tensions evoked by new technologies of vision and competing cultures of visual epistemology in seventeenth-century astronomy. As both selenographers grappled with questions about the role of representation and what kinds of knowledge could be generated visually, the successes and failures of their competing projects present implications for the course of visual astronomy, as well as for our understanding of the use of ‘visual technologies’ in a period of controversy.     

Sasakian空间形式中具有平行平均曲率向量的C-全实子流形的刚性定理

讨论了Sasakian空间形式中具有平行平均曲率向量的C-全实子流形,得到了紧致的C-全实子流形的一个刚性结果.     

一类新的非线性混合拟变分包含的灵敏性分析

研究了一类新的非线性混合拟变分包含的灵敏性问题，通过使用预解算子及不动点技巧，证明了这类含参数的变分包含的解的存在唯一性及连续性，推广了近期有关文献的一些结果。     

旋流场中分散相颗粒径向受力及径向速度方程

从两相流的角度阐释了分散相单颗粒在旋流场中的径向受力，并对各力进行了分析和简化．运用力分析的方法建立了颗粒径向速度对于径向位置分布的径向运动方程，探讨了颗粒径向速度的求解．结果表明，经典的平衡轨道理论所认为的沉降速度只能在某一特定位置出现，并不具有实际应用意义；而径向运动方程则可以求解，并可作为旋流场进一步讨论的基础．     

峡江方言的人称代词

峡江方言的人称代词主要有三身代词我、你、渠、我叽、我吧、你叽、渠叽以及非三身代词自家、口口[p‘iaη~(44)·ηa]、人家、大家。全文对它们的语音形式作了详细描写,并通过与普通话中的相应形式的比较,逐个分析它们的意义指称对象和语法功能,其中有些人称代词在语用中还会发生转义,文中将其概括为虚指、泛指和转指三种情况。